Lo and Behold. Women In Comics Convention TODAY! at the main branch of the Brooklyn Public Library. I had to come up for air for a second from working hard on INFINITUM. I was asked by Supah Sistah Supreme, Regine Sawyer, Founder of Women IN Comics, to moderate an AWESOME panel titled:
Exploring the Forum & Format of Comics
Comics are going through disruptive change with the ever present nature of more advanced technologies. This panel investigates the different forums of showcase, consumption, and distribution of the comicbook medium. Panelist will also cover how these elements can be covered in an educational context within the physical and virtual learning environments.
Participants are:
Micheline Hess (Artist: Malice In Ovenland)
Marguerite Dabaie (Artist/Writer: THE HOOKAH GIRL AND OTHER TRUE STORIES
Clairesa Clay (Scholar and Founder of Blerd City)
Mia Charlene White (Assistant Professor at The New School for Social Research
Greg Anderson Elysée (Writer: Is’nana The Were Spider)
Shawn Martinbrough (Artist: Luke Cage Noir, Thief of Thieves, Shadowman)
And of course moderated by Tim Fielder (Writer/Artist: Matty’s Rocket)
Brooklyn Public Library is an approved Sponsor of Continuing Teacher and Leader Education (CTLE) in New York State. At the close of the workshop, attendees with be issued a certificate for 1 hour of CTLE credit.
TODAY: June 30 2018, 1:15 PM – 2:15 PM Brooklyn Public Library, 10 Grand Army Plaza, Brooklyn, NY 11238, USA
Greetings Dieselfunkateers! BLACK METROPOLIS RETURNS! It’s looks like its gonna be one of those days. Back in 2016 I had the privilege of presenting a career retrospective of my work at Gallatin Galleries curated by Keith Miller. This show has formed one of the pillars of my present efforts, which is to SHOW THE WORLD MY WORK!
Black Metropolis: 30 Years of Afrofuturism, Comics, Music, Animation, Decapitated Chickens, Heroes, Villains, and Negroes.
The Hammonds House Museum is very clear:
Our mission, “to preserve, exhibit, interpret and increase public awareness about the contributions that visual artists of African descent have made to world culture” is the underpinning of the of the institution’s ongoing work.
Presently, the Legendary Carrie Mae Weems is exhibiting with as well as amazing artists such as Felton Eaddy. Also please note: Hammonds House is presently celebrating their 30th year anniversary. BLACK METROPOLIS will be the GRAND FINALE for this Celebration taking place during the final quarter of the year. More NEWS to Come! Check out the news link HERE http://artsatl.com/tag/hammonds-house-museum/
For you folks who didn’t get around to it before now you’ve got another chance. You’d best believe Daddy is gonna be putting on a show and drawing portraits. You betta dressup and whatnot:-)
Greetings Dieselfunkateers!Decades ago I embarked on the mission to produce a character that would embody the spirit of adventure, fun, and drama.Well actually, I’ve always tried to do that with every character I do.I grew up looking at Superman, Batman, Buck Rogers, Star Wars.As a child of the 60s-70s I had my heroes that allowed me to wonder.But I oftentimes wondered what those of my parents generation and earlier had as lighthouses of valor?Did they have a Flash Gordon or a Rocketman?Sadly, the answer was NO.Representation of people of color was systemically depicted in the most stereotypical fashion; if at all.When it came to genre’s such as Science Fiction and Action Adventure, there was literally no representation at all; with only obscure exceptions.Black and Brown boys and girls, let alone men and women, could not see themselves in outer space.Upon the arrival of the 1960-70s things would begin to slowly change.There was Lt. Uhura and Lando Calrissian.But they often seemed alone…literally the only black people in space.In the remote chance they were present, they would die at the hands of the alien or monster…just before the credits rolled or our comic came to an end.More regressive was the depiction of female characters in an over-sexualized state. This is and still remains rampant in comics. In a crazed yet equal way, the mysogyny of female characters are not bound by color or ethnicity. Nothing more sobering and insidious than seeing our earth mother heroine wearing a thong.There would be no escape for us.
Matty’s Rocket is designed to go beyond such limitations while acknowledging our past history.No doubt this story is designed specifically for women of color but the universality of the themes aspire to connect with everyone.
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